Symphony (Sinfonia con Fugato per la Chiesa) in D major, Vb. 146
Concerto for oboe, strings & continuo in D minor, BWV 1059R (reconstruction): II. Adagio
Concerto for flute & string orchestra No. 3 in C major: III. Allegro assai
Symphony No. 5 in D major: I. Allegro ma non troppo - Allegro assai
Serenade No. 7 for orchestra in D major ("Haffner"), K. 250 (K. 248b): III. Minuet
Concerto for clavier, 2 flutes, 2 horns, strings & continuo in G major, C2/K 3:1: II. Romance. Adagio non tanto
Symphony in C major, G. 515 (Op. 37/1): IV. Finale: Allegro vivo assai
Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B flat major ("Chorale St. Antoni"), H. 2/46: II. Andante 'Chorale St. Antoni'
Piano Concerto in B flat major, Op. 22 (C. 97): Introduction - III. Rondo: Allegro non tanto
Symphony No. 8 in F major, Op. 93: III. Tempo di Menuetto
Trumpet Concerto in E or E flat major, WoO 1, S. 49: III. Rondo
Variation on a Waltz by Anton Diabelli, for piano in C minor, D. 718
Phantasiestück (Lebhaft, leicht) for clarinet (or cello or violin) & piano, Op. 73/2: No. 2. Lebhaft, leicht
Tanzwalzer, for orchestra, Op. 53, KiV 288: II. Più vivo
The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements
Don Quixote, ballet: Act 2: Zigeunertanz II
Fantasy for piano & orchestra in F minor (after Schubert): I. Allegro molto moderato - Più mosso - Tempo I
Violin Concerto No. 1 in A minor, Op. 77 (published as Op. 99): IV. Burlesca. Allegro con brio
Pieces (5) for string quartet: IV. Alla Tango (Andante)
The Story of an Unknown Actor, film score: Agitato I - Schlitten / Sleigh
Donnerode, sacred oratorio in 2 parts for chorus, orchestra & continuo, TWV 6:3: I. Chor: Wie ist dein Name so groß
Jesu, du mein habstes Leben, chorale setting for 4 voices, BWV 356 (BC F113)
Messiah, oratorio, HWV 56: Recitativo: Behold, a virgin shall conceive - Aria: Oh thou that tellest good tidings to Zion
Ave verum corpus, motet for chorus, strings & organ, K. 618
Laudate pueri ("O praise the Lord"), motet for female chorus & organ in E flat major, Op. 39/2
Mass for soloists, chorus, strings & organ in G major, D. 167: III. Credo
Gebet ("Herr! schicke was du willt"), song for voice & piano (Mörike Lieder)
Frühlingsbegräbnis, for soprano, baritone, chorus & orchestra: VI. Horch! Vom Hügel, welch ein wilder Klang
Rückert Lieder, song collection for voice & piano (or orchestra): I. Blicke mir nicht in die Lieder
Poems (3) for voice & piano: No. 3, Nocturne
Das Nachtlager von Granada, opera: Act 1: Scene 8: Pastorale: Vom Berg ziehn wir hernieder
Faust, opera, WoO 51, WoO 51a: Act 2: Arie: Blöder Tor, ich kann hier fragen
Der Vampyr, opera: Act 1: Introduktion: Ihr Hexen und Geister
Der Ferne Klang, opera in 3 acts: Act 2: Scene 6: Lied: Wer kennt sie nicht
Notre Dame, opera: Act 1: Intermezzo
Tannhäuser, opera, WWV 70: Arie: Dich teure Halle grüß ich wieder
Turandot, opera in 2 acts ("a Chinese fable"), KiV 273: Act 1: Scene 2: Aria: Konfutse, dir hab ich geschworen
Der Kuhhandel, operetta: Der Mädchenraub: Ich wohne auf der anderen Seite
Wozzeck, one-act opera in 18 scenes with epilogue, Op. 16: Epilogue: Wi arme Leut
Yo soy María, tango song (from the operetta María de Buenos Aires)
