This collection of essays reflects the growth of interest in and research on Carl Philipp Emanuel Bach (1714-88) over the last twenty years. The contributors, including Christopher Hogwood, Hans-Gunter Ottenberg, Darrell M. Berg, and Rachel Wade, discuss a wide range of topics surrounding Bach including musical innovations, relationships with contemporaries, aesthetics, and influence."
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This collection of essays reflects the growth of interest in and research on Carl Philipp Emanuel Bach (1714-88) over the last twenty years. The contributors, including Christopher Hogwood, Hans-Gunter Ottenberg, Darrell M. Berg, and Rachel Wade, discuss a wide range of topics surrounding Bach including musical innovations, relationships with contemporaries, aesthetics, and influence."
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 850grams, ISBN: 0193164124.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 800grams, ISBN: 0193164124.
Publisher:
Clarendon Press/ Oxford University Press
Published:
1988
Language:
English
Alibris ID:
17944533897
Shipping Options:
Standard Shipping: $4.73
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Seller's Description:
VG-/VG-(Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block. ) Navy cloth boards with gilt spine lettering; navy dj with bw illustration, mylar cover; xv, 346 pp; music. Contents: C.P.E. Bach's character pieces and his friendship circle / Darrell M. Berg--The letters from C.P.E. Bach to K.W. Ramler / Stephen L. Clark--C.P.E. Bach's aesthetic as reflected in his notation / Etienne Darbellay--C.P.E. Bach and the early history of the recapitulatory Tutti in north Germany / Shelley G. Davis--C.P.E. Bach and the trio old and new / Michelle Fillion--The stylistic anomalies of C.P.E. Bach's nonconstancy / Pamela Fox--A supplement to C.P.E. Bach's Versuch: E.W. Wolf's Anleitung of 1785 / Christopher Hogwood--C.P.E. Bach in the library of the Singakademie zu Berlin / Elias N. Kulukundis--C.P.E. Bach and the Free fantasia for keyboad: Deutsche Staatsbibliothek Mus. ms. Nichelmann I N / Douglas A. Lee--C.P.E. Bach and Carl Friedrich Zelter / Hans-Günter Ottenberg--C.P.E. Bach through the 1740s: the growth of a style / David Schulenberg--C.P.E. Bach, J.C.F. Rellstab, and the sonatas with varied reprises / Howard Serwer--The 'Piano Climax' in the eighteenth century concerto: an operatic gesture? / Jane R. Stevens--Filiation and the editing of revised and alternate versions: implications for the C.P.E. Bach edition / Rachel W. Wade--A new look at C.P.E. Bach's musical jokes / Susan Wollenberg--C.P.E. Bch in literature: a bibliography / Stephen L. Clark.
