Audiences find the early symphonies of Anton Bruckner to be mostly unfamiliar, despite the valiant efforts of several conductors to promote them. Of these works, the Symphony in F minor, "Study Symphony" (1863), sometimes misleadingly called the Symphony No. 00, is perhaps the most overlooked, under-performed, and least typical of the cycle, due to being heavily derivative of Weber, Mendelssohn, and Schumann, and lacking the obsessive repetitions, fanfares, chorales, and other instantly recognizable features of Bruckner's ...
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Audiences find the early symphonies of Anton Bruckner to be mostly unfamiliar, despite the valiant efforts of several conductors to promote them. Of these works, the Symphony in F minor, "Study Symphony" (1863), sometimes misleadingly called the Symphony No. 00, is perhaps the most overlooked, under-performed, and least typical of the cycle, due to being heavily derivative of Weber, Mendelssohn, and Schumann, and lacking the obsessive repetitions, fanfares, chorales, and other instantly recognizable features of Bruckner's mature works. Yet listeners who might appreciate a "lighter" Bruckner may find the Study Symphony to be at least pleasant and appealingly melodic, if not especially inspired. Gerd Schaller leads the Philharmonie Festiva in a wholly sympathetic and committed performance, and the straightforward interpretation is delivered with a gentle touch. One might even suggest that Schaller displays a certain affection for this underdog, because his warm treatment helps to make up for the general...
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