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Seller's Description:
Near Fine + No Jacket. Unpaginated exhibition catalog. Near fine+ hard cover copy, light rubbing to corners and spine ends. Contents fine, heavily illustrated.
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Seller's Description:
Near Fine. 1881161048. Almost Like New.; Illustrated boards. Issued without dustjacket. Numerous color and black and white illustrations. Edited by Sherri Schottlaender. With essays by Carol Higa, Ian Buruma and Timothy Martin. Published on the occasion of the exhibition, January 23-Juky 4, 1999.; Tight, clean and crisp, with just a hint of rubbing to corners, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New.; 11 X 9 X 0.75 inches; 104 pages.
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Seller's Description:
Near Fine. No dust jacket as issued. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs, video and text by Bruce and Norman Yonemoto. Essays by Karin Higa, Timothy Martin and Ian Buruma. Includes an exhibition checklist, artists' biographies and a selected bibliography. Designed by Tracey Schiffman. 104 pp., with numerous four-color and black-and-white illustrations. 9-1/4 x 11-1/4 inches. Published on the occasion of an exhibition at the Japanese American National Museum, Los Angeles. Near Fine (damp stains to the first few pages, else Fine). As the title suggests, Bruce and Norman Yonemoto's work investigates the intersections between personal and cultural memory, material culture and the myths we build and preserve about ourselves and our histories. Focusing on their shared Japanese-American identity, the artists' collaborative works offer a unique glimpse into the spaces and contents of memory, matter and modern romance.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fine. No dust jacket as issued. First edition, first printing. Hardcover. Photographically illustrated paper-covered boards; no dust jacket as issued. Photographs, video and text by Bruce and Norman Yonemoto. Essays by Karin Higa, Timothy Martin and Ian Buruma. Includes an exhibition checklist, artists' biographies and a selected bibliography. Designed by Tracey Schiffman. 104 pp., with numerous four-color and black-and-white illustrations. 9-1/4 x 11-1/4 inches. Published on the occasion of an exhibition at the Japanese American National Museum, Los Angeles. Fine. As the title suggests, Bruce and Norman Yonemoto's work investigates the intersections between personal and cultural memory, material culture and the myths we build and preserve about ourselves and our histories. Focusing on their shared Japanese-American identity, the artists' collaborative works offer a unique glimpse into the spaces and contents of memory, matter and modern romance.
