In this essay, D. A. Miller offers an album of moments in an imaginary "homosexual encounter" between himself and Roland Barthes. Miller responds to various names, phrases, images, and themes in Barthes's work that provide him occasions for assessing, across differences of nation and generation, some characteristic strains of modern gay experience.
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In this essay, D. A. Miller offers an album of moments in an imaginary "homosexual encounter" between himself and Roland Barthes. Miller responds to various names, phrases, images, and themes in Barthes's work that provide him occasions for assessing, across differences of nation and generation, some characteristic strains of modern gay experience.
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