It has taken a long time for Jordi Savall to get around to the music of Luigi Boccherini, an Italian composer who, nevertheless, looms very large in the old Spanish music of which Savall is such an eloquent advocate. If the AliaVox release Luigi Boccherini: Fandango, Sinfonie & La Music Notturna di Madrid is any indication of Savall's potential in interpreting the music of Boccherini, then it was well worth the wait. Best known outside of Europe for his ubiquitous Minuet in A, Boccherini is often misunderstood as a fancy ...
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It has taken a long time for Jordi Savall to get around to the music of Luigi Boccherini, an Italian composer who, nevertheless, looms very large in the old Spanish music of which Savall is such an eloquent advocate. If the AliaVox release Luigi Boccherini: Fandango, Sinfonie & La Music Notturna di Madrid is any indication of Savall's potential in interpreting the music of Boccherini, then it was well worth the wait. Best known outside of Europe for his ubiquitous Minuet in A, Boccherini is often misunderstood as a fancy-pants composer of sugary confections for the court à la Dittersdorf, but anyone who knows his String Quartets, Op. 32, or any of the works belonging to this carefully chosen program already knows that Boccherini's music has some teeth.The soloists, drawn from within Savall's group Le Concert des Nations, are superb in this music; Bruno Cocset has the all-important cello parts, which Boccherini himself would have played, and lutenist Rolf Lislevand delivers the guitar solo in the...
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