The blank fiction of young American writers like Dennis Cooper, Lynne Tillman, Bret Easton Ellis and Susanna Moore represents a shift away from the postwar obsession with dense plots, political subject-matter and academic philosophising. These writers appear to value superficiality over complexity, mass culture over high culture and youth over experience. In the first scholarly critique of blank fiction, James Annesley assesses a wide range of recent American writing and identifies their principal unifying characteristics. ...
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The blank fiction of young American writers like Dennis Cooper, Lynne Tillman, Bret Easton Ellis and Susanna Moore represents a shift away from the postwar obsession with dense plots, political subject-matter and academic philosophising. These writers appear to value superficiality over complexity, mass culture over high culture and youth over experience. In the first scholarly critique of blank fiction, James Annesley assesses a wide range of recent American writing and identifies their principal unifying characteristics. Challenging conventional postmodernist approaches, Annesley reveals the dynamic of blank writing to be tied to the dominant economic forces of contemporary capitalism. This contextual analysis concentrates on the relationship between blank fiction and consumerism and positions the writing within the wider currents of contemporary American culture.
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Seller's Description:
Very good. Trade paperback (US). Glued binding. 185 p. Audience: General/trade. Clean, unmarked pages. Cover is in very good condition, with light rubbing on corners or along front edge.
