In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, Eliason and Squire draw from the largest survey of velvet paintings ever undertaken, tracing its historical development as a folk art shaped by both indigenous traditions as well as Western consumer expectations.
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In cooperation with a network of artists, collectors, importers, and gallery owners in Tijuana, Los Angeles, Seattle, and Calgary, Eliason and Squire draw from the largest survey of velvet paintings ever undertaken, tracing its historical development as a folk art shaped by both indigenous traditions as well as Western consumer expectations.
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