The violin concertos of Ludwig van Beethoven and Alban Berg are, on the surface, more different from one another than two compositions could ever probably be. Yet both stand as titans within the violin repertoire and broke incredibly significant new ground. Beethoven's lone Violin Concerto was different than anything that came before it and set the tone for virtually every concerto written after it for nearly a century. By its sheer length alone, Beethoven tossed out the rule book, but he also put forth a finished product ...
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The violin concertos of Ludwig van Beethoven and Alban Berg are, on the surface, more different from one another than two compositions could ever probably be. Yet both stand as titans within the violin repertoire and broke incredibly significant new ground. Beethoven's lone Violin Concerto was different than anything that came before it and set the tone for virtually every concerto written after it for nearly a century. By its sheer length alone, Beethoven tossed out the rule book, but he also put forth a finished product that did not focus on virtuosity for the sake of virtuosity, though many violinists in his time found the work to be unplayable. By contrast, Alban Berg's concerto, which he wrote at the very end of his life, breaks new ground by being the first violin concerto to be written using a twelve-tone row. Unlike other serial composers, Berg gave hints at tonality throughout his concerto; although it is, strictly speaking, an atonal work, these hints offer listeners something to hold onto...
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Seller's Description:
Good. Good condition. audioCD. Case Good. Disc slightly scratched. Case cracked/scuffed. Quality guaranteed! In original artwork/packaging unless otherwise noted.
