This absorbing book chronicles the exploitation of Beethoven's life and work by German political parties from the founding of the modern nation to the East German Revolution of 1989. Drawing on a wealth of previously untapped archival resources, David B. Dennis examines how politicians have associated Beethoven with competing visions of German destiny, thereby transforming art and artist into powerful national symbols. Dennis shows for the first time that propagandists of every persuasion have equated Beethoven's works ...
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This absorbing book chronicles the exploitation of Beethoven's life and work by German political parties from the founding of the modern nation to the East German Revolution of 1989. Drawing on a wealth of previously untapped archival resources, David B. Dennis examines how politicians have associated Beethoven with competing visions of German destiny, thereby transforming art and artist into powerful national symbols. Dennis shows for the first time that propagandists of every persuasion have equated Beethoven's works with dogma. In the late nineteenth century, supporters of Bismarck and the German emperors endorsed a militaristic interpretation forged during the Franco-Prussian War, while opponents promoted portraits of Beethoven as revolutionary. In the First World War, Beethoven was drawn into the trenches, where Germans countered enemy allegations that they had forfeited the right to enjoy his music. Beethoven interpretations fragmented the Weimar Republic, as every faction formulated its own variation. The Nazi view of the composer as F???hrer was enforced in the Third Reich. After 1945, German views of Beethoven corresponded to the division of the nation, but when the Iron Curtain collapsed in 1989 one sentiment rose to dominance: that all people could become brothers, just as the composer had wished in his Ninth Symphony. By establishing connections between Beethoven's art and public policy, Dennis has written a book of compelling interest to historians, musicologists, and Beethoven enthusiasts alike.
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PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Near Fine in near fine jacket. First edition, 1996. Hardcover in dust jacket, 251 pp., illustrated, clean unmarked text, Near Fine copy in Near Fine dust jacket. Dust jacket housed in archival dust jacket protector.
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Very Good in Very Good jacket. History/Music. 8vo. Signed by Author First edition. Hardcover with dust jacket. 8vo with 251 pages. Signed/Inscribed by author on the ffep, " 28 April 1996 For Professor and Mrs. Weber, with thanks for all of the kindness and support you have given to me-and to Amy. Sincerely, David." Signed copy by author to American historian Eugen Weber. The book and DJ are in very good condition with very slight shelf wear. Interior is clean and tight. "book of compelling interest to historians, musicologists, and Beethoven enthusiasts alike."
