The name of Irish pianist John O'Conor hasn't achieved household familiarity, and Andreas Delfs is known to U.S. audiences as the conductor of the regionally heard Milwaukee Symphony. Marquee names aren't necessary for distinctive Beethoven, however, and the two concerto performances here are indeed distinctive. They might not have stood out 40 or 50 years ago, when studious Middle Europeans like Wilhelm Kempff (with whom O'Conor studied) and Walter Gieseking ruled the classical sales charts, but later Ashkhenazian muscle ...
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The name of Irish pianist John O'Conor hasn't achieved household familiarity, and Andreas Delfs is known to U.S. audiences as the conductor of the regionally heard Milwaukee Symphony. Marquee names aren't necessary for distinctive Beethoven, however, and the two concerto performances here are indeed distinctive. They might not have stood out 40 or 50 years ago, when studious Middle Europeans like Wilhelm Kempff (with whom O'Conor studied) and Walter Gieseking ruled the classical sales charts, but later Ashkhenazian muscle became the order of the day. If you are looking for a big, glittering peroration at the beginning of the Piano Concerto No. 5 in E flat major, Op. 73 ("Emperor"), this is not the performance for you; O'Conor tends instead to get inside the details of the opening flourish, giving it a somewhat fantasy-like effect, rather than pounding it out. His tempos are generally on the brisk side, and he accents unusual details by pushing them slightly. With all these caveats borne in mind, the...
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Good in good packaging. Originally released: 2007. Ex library copy. (CD) Typical library stampings stickers and Markings. FRONT ARTWORK IS CUT PLEASE NOTE. NOT COLLECTIBLE!