For the casual listener, there are two impediments to enjoying this disc. First, the works are transcriptions of orchestral works for chamber ensembles, and second, both transcriptions are played on a light-toned fortepiano and cat-gutted stringed instruments. But for the dedicated listener who knows and loves Beethoven's Symphony No. 2 and Piano Concerto No. 4 and who accepts and enjoys period instruments, this disc will be pure enjoyment. The chance to hear transcriptions of familiar works, especially when those ...
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For the casual listener, there are two impediments to enjoying this disc. First, the works are transcriptions of orchestral works for chamber ensembles, and second, both transcriptions are played on a light-toned fortepiano and cat-gutted stringed instruments. But for the dedicated listener who knows and loves Beethoven's Symphony No. 2 and Piano Concerto No. 4 and who accepts and enjoys period instruments, this disc will be pure enjoyment. The chance to hear transcriptions of familiar works, especially when those transcriptions are made by the composer, is exciting for the dedicated listener. Also, the chance to hear those transcriptions played on instruments of the composer's time, especially when the performances are as expertly played as these, is almost irresistible. Robert Levin is one of the best contemporary fortepianists and his playing here is flexible and virtuosic. The string players are all drawn from the Orchestre Revolutionnaire et Romantique are their playing here is delicate and...
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