For this three-CD set on Aparté, violinist Pierre Fouchenneret and pianist Romain Descharmes perform Ludwig van Beethoven's ten sonatas for piano and violin, which date from his early and middle periods. In a sense, these are among the most Classical of Beethoven's works, because all but two retain the conventional three-movement format and lack a scherzo movement, and all but one were composed between 1798 and 1803, under the abiding influence of Franz Joseph Haydn. Perhaps the most significant constraint is shown in the ...
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For this three-CD set on Aparté, violinist Pierre Fouchenneret and pianist Romain Descharmes perform Ludwig van Beethoven's ten sonatas for piano and violin, which date from his early and middle periods. In a sense, these are among the most Classical of Beethoven's works, because all but two retain the conventional three-movement format and lack a scherzo movement, and all but one were composed between 1798 and 1803, under the abiding influence of Franz Joseph Haydn. Perhaps the most significant constraint is shown in the designation "for piano and violin," a term that Wolfgang Amadeus Mozart used for his violin sonatas, treating the violin part almost as an obbligato line. After 1812, when Beethoven composed the Sonata No. 10, Op. 96, he abandoned this genre in favor of other forms that allowed for greater originality, virtuosity, and equality between the players, as is found in the late string quartets. Here, the sonatas are presented in a mixed order, which may be disorienting for someone tracing...
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