The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.
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The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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Seller's Description:
PLEASE NOTE, WE DO NOT SHIP TO DENMARK. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Please note we cannot offer an expedited shipping service from the UK.
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As New. No Jacket. AU3-A first edition hardcover book in as newcondition with no dust jacket. SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s, Henry A. Giroux, Editor. Satisfaction Guaranteed.
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Very Good. No Jacket. AU3-A first edition hardcover book in very good condition with no dust jacket. SUNY series, INTERRUPTIONS: Border Testimony(ies) and Critical Discourse/s, Henry A. Giroux, Editor. Satisfaction Guaranteed.
