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Barber: Orchestral and Chamber Works - Alan Stepansky (cello); Elmar Oliveira (violin); Israela Margalit (piano); Jeanne Baxtresser (flute); Joseph Robinson (oboe);...
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  1. Adagio for strings (or string quartet), Op. 11 (arr. from 2nd mvt. of String Quartet)
  2. The School for Scandal, overture for orchestra, Op. 5
  3. Violin Concerto, Op. 14
  4. Essay for orchestra, Op. 12
  5. Second Essay, for orchestra, Op. 17
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  1. Adagio for strings (or string quartet), Op. 11 (arr. from 2nd mvt. of String Quartet)
  2. The School for Scandal, overture for orchestra, Op. 5
  3. Violin Concerto, Op. 14
  4. Essay for orchestra, Op. 12
  5. Second Essay, for orchestra, Op. 17
  6. Medea's Meditation and Dance of Vengeance, for orchestra, Op. 23a
  7. Cello Sonata, for cello & piano, Op. 6
  8. Canzone (Elegy), for flute & piano, Op. 38a (arr. from 2nd mvt. of the Piano Concerto)
  9. Excursions, for piano, Op. 20
  10. Nocturne, for piano, Op. 33 ("Homage to John Field")
  11. Summer Music, for wind quintet, Op. 31
  12. Souvenirs, suite for piano, 4 hands, Op. 28: Pas de deux
  13. Souvenirs, suite for piano, 4 hands, Op. 28: Two-step
  14. Third Essay, for orchestra, Op. 47
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While not the best single set of the music of Samuel Barber ever recorded -- Thomas Schippers' mid-'60s recording with the New York Philharmonic will hold that title from now unto perpetuity -- this two-disc set of recordings by Leonard Slatkin and the St. Louis Symphony is still not to be missed by anyone who loves Barber's neo-Romantic music. Slatkin's approach to Barber is strongly emotional and powerfully dramatic. His stormy interpretations of Barber's three Essays for Orchestra make them sound like the American ...

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