After recording J.S. Bach's Brandenburg Concertos to near perfection with the English Concert in 1982, it might seem redundant for Trevor Pinnock to try his hand at them again in this 2007 set with the European Brandenburg Ensemble. Allowing for certain variables of interpretation and execution between the two versions, which should be expected at a remove of 25 years, one can still expect Pinnock to turn in elegant period readings that don't diverge too dramatically from his earlier recordings on Archiv. On this exquisite ...
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After recording J.S. Bach's Brandenburg Concertos to near perfection with the English Concert in 1982, it might seem redundant for Trevor Pinnock to try his hand at them again in this 2007 set with the European Brandenburg Ensemble. Allowing for certain variables of interpretation and execution between the two versions, which should be expected at a remove of 25 years, one can still expect Pinnock to turn in elegant period readings that don't diverge too dramatically from his earlier recordings on Archiv. On this exquisite set, released by Avie -- a label that lets its artists take creative risks that many major labels won't -- Pinnock explores the Brandenburgs with considerable freedom and inventiveness, particularly in adjusting the size of his ensemble according to acoustical needs, and in his employment of musicians from several different countries and performing backgrounds. To the trained ear, these concertos have a slightly darker coloration, due to the tuning at A415, and some experts may...
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