The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, ...
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The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, bright contrasts, and really quite grand. Layton takes a deliberate approach to the score, catching its long lines and letting the choir swell and surprise when they want to. The contrasts also involve the soloists, a varied bunch of well-known names that keep things exciting. The bloomy voice of soprano Katherine Watson might or might not be to your taste, but it plays well off the others. Sample the slow polyphony of the final Dona nobis pacem for a taste of the choir's Romantic...
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Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.