This release is part of Japanese conductor Masaaki Suzuki's fine complete cycle of Bach's cantatas with his Bach Collegium Japan, but it stands somewhat apart from the others, both in content and style. The two Bach secular cantatas featured both date from early in the composer's career; the Cantata No. 208, "Was mir behagt, is nur die muntre Jagd" (What makes me happy is only the lively hunt), BWV 208, comes from 1713, during Bach's years of service to the Duke of Sachsen-Weissenfels, while the "serenata" Die Zeit, die Tag ...
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This release is part of Japanese conductor Masaaki Suzuki's fine complete cycle of Bach's cantatas with his Bach Collegium Japan, but it stands somewhat apart from the others, both in content and style. The two Bach secular cantatas featured both date from early in the composer's career; the Cantata No. 208, "Was mir behagt, is nur die muntre Jagd" (What makes me happy is only the lively hunt), BWV 208, comes from 1713, during Bach's years of service to the Duke of Sachsen-Weissenfels, while the "serenata" Die Zeit, die Tag und Jahre macht, BWV 134 (Time, maker of days and years), dates from 1719, during the Köthen period. The former piece was apparently written to adorn one of the Duke's hunting outings and is a sort of pastoral paean; the latter is a New Year's ceremonial work proclaiming the desirability of long life and power for the "Saxon hero." It would be unlikely to find these works among anybody's top Bach picks, and it's interesting to reflect on the ways in which Bach's vocal idiom was...
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