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Bach, Glass - Iveta Apkalna (organ)
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  1. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
  2. Pastorale for organ in F major, BWV 590 (BC J81)
  3. Prelude and Fugue, for organ in E flat major ("St. Anne"), BWV 552 (BC J16) (Clavier-Übung III/26)
  4. Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
  5. Prelude and Fugue, for organ in G major, BWV 541 (BC J22)
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  1. Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
  2. Pastorale for organ in F major, BWV 590 (BC J81)
  3. Prelude and Fugue, for organ in E flat major ("St. Anne"), BWV 552 (BC J16) (Clavier-Übung III/26)
  4. Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79)
  5. Prelude and Fugue, for organ in G major, BWV 541 (BC J22)
  6. Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70)
  7. Fantasia for organ in G major, BWV 572 (BC J83)
  8. Dance, pieces (5) for ensemble: Dance No. 4
  9. Mad Rush, for piano (or organ)
  10. Music in Contrary Motion, for organ
  11. Satyagraha, opera: Act 3. Conclusion
  12. Dance, pieces (5) for ensemble: Dance No. 2
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For her 2015 double-CD release on Oehms Classics, organist Iveta Apkalna has selected works by Johann Sebastian Bach and Philip Glass that make an interesting, if not wholly successful, pairing. Superficially, Bach's motoric polyphony and Glass' cycling patterns share a mechanical quality that might make them seem well-matched, especially on the organ. Yet Bach's works were composed specifically for the organ, with its differentiated voicings giving clarity to his counterpoint, while the Glass transcriptions were written ...

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Bach, Glass 2015, Oehms Classics

UPC: 4260330918277

CD