As a child, Antoine Tamestit studied the violin, but at age 10, he fell in love with the six unaccompanied Cello Suites of J.S. Bach and immediately wanted to switch to the cello. His teacher advised him that playing that instrument would involve learning a completely new technique, so he was allowed to switch instead to the viola. Thus, Tamestit was able to play the suites as arranged for his present instrument, and because the viola has the tuning of C-G-D-A, Bach's originals have been transposed up an octave. This 2012 ...
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As a child, Antoine Tamestit studied the violin, but at age 10, he fell in love with the six unaccompanied Cello Suites of J.S. Bach and immediately wanted to switch to the cello. His teacher advised him that playing that instrument would involve learning a completely new technique, so he was allowed to switch instead to the viola. Thus, Tamestit was able to play the suites as arranged for his present instrument, and because the viola has the tuning of C-G-D-A, Bach's originals have been transposed up an octave. This 2012 recording of three of the suites, BWV 1007, 1009, and 1011, is presumably the first of two discs, creating anticipation for disc two, for Tamestit's interpretations are outstanding and promise to make the complete set required listening. He has been acclaimed as one of the finest violists in the world, and his lively tempos and light articulation reveal his profound understanding of the music. The dance impulse is ever-present in these suites, which have a greater ease of movement and...
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