Aside from the gargantuan logistical problems of moving a chamber orchestra, chorus, soloists, and conductor, plus recording equipment with engineers and producers every week, the aesthetic challenges of John Eliot Gardiner's Bach cantata pilgrimage must have been colossal. Imagine: every week the musicians had to prepare and present three or more cantatas in performances that would bear repeated listenings at home. And yet Gardiner and his forces seem to have succeeded every time. In the two-disc volume 25 of the series, ...
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Aside from the gargantuan logistical problems of moving a chamber orchestra, chorus, soloists, and conductor, plus recording equipment with engineers and producers every week, the aesthetic challenges of John Eliot Gardiner's Bach cantata pilgrimage must have been colossal. Imagine: every week the musicians had to prepare and present three or more cantatas in performances that would bear repeated listenings at home. And yet Gardiner and his forces seem to have succeeded every time. In the two-disc volume 25 of the series, Gardiner includes three cantatas for the fifth Sunday after Easter and three for the Sunday after Ascension Day, and, as always before, they succeed in not only performing the works with smooth professionalism but also ardent enthusiasm.Take just In allen meinen Taten, BWV 97. Its nine movements are wonderfully varied in tone and setting, but also totally unified through musical means. Gardiner and his forces capture both the variety and the unity of the work. Bass Stephen Loges'...
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