You don't often hear the slashing protest tunes, fervent praise hymns, or anthemic, soulful love songs that characterized the majority of pre-dancehall reggae. That's what makes Earl Sixteen's Babylon Walls so enjoyable. Although the production and backing are contemporary, he sings with warmth and quality about the virtues of being a Rastaman, emphasizes truth and rights rather than all-night lovemaking, and includes a pair of sizzling, appealing love songs (one a fine cover of Curtis Mayfield's "Woman Got Soul") rather ...
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You don't often hear the slashing protest tunes, fervent praise hymns, or anthemic, soulful love songs that characterized the majority of pre-dancehall reggae. That's what makes Earl Sixteen's Babylon Walls so enjoyable. Although the production and backing are contemporary, he sings with warmth and quality about the virtues of being a Rastaman, emphasizes truth and rights rather than all-night lovemaking, and includes a pair of sizzling, appealing love songs (one a fine cover of Curtis Mayfield's "Woman Got Soul") rather than highly suggestive, vulgar come-ons. Due to Ras' refusal to put exact recording dates on the material they lease from Ariwa, the recording date of this one is unclear. ~ Ron Wynn, Rovi
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Seller's Description:
Very Good. CD, jewel case, and inserts all in very good condition. No scratches or skips. Previous owner's address label on rear inlay. Buy with confidence. Guaranteed skip free or your money refunded.
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