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Seller's Description:
Good. HARDCOVER IN SLIPCASE. Slipcase has tanning/scuffs/marks/some tears. Light scratches/marks to jacket & minor scuffs to edges. Foxing to cover/textblock edges/endpapers. Light tanning/foxing to page edges. Mark/nick to p. 21-25 otherwise content very good. 223 p. Illustrations (some colour).
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Seller's Description:
Very Good in Very Good jacket. Qto., 223 pages, 75 colour plates, and 270 black and white illustrations. A Very Good clean copy in a Very Good dust jacket.
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Seller's Description:
Fine in very good(+) jacket. 75 illustrations in color and 270 in black and white. 223 pages, large square 4to, tan cloth, dust wrapper (light surface rubbing to wrapper). New York: Skira, (1980). A fine copy in a very good(+) dust wrapper.
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Seller's Description:
Fine in Fine jacket. Book Colorful DJ crisp and bright. Tight binding, solid boards with sharp corners, clean unmarked pages throughout. Sturdy slipcase slightly bumped on rear.
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Seller's Description:
Fine in Fine jacket. Hardback book and dust jacket in fine condition, in slipcase which has 1 by 2 inch tear at lower back corner edge, otherwise very good.
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Seller's Description:
Used-Very Good. The period between the two World Wars was onc of unprecedented ferment. An art explosion ocurred all over Europe, not least in Russia, and it had profound repercussions in the United States. the established masters steadily developed their art (Matisse, Picasso, Bonnard, Chagall, Duchamp). Photography came into its own, especially in the United States (Stieglitz, Sheeler, Strand, Weston, Man Ray). The avante-garede cinema became a fruitful field of creative innovation (Leger, Man Ray, Duchamp, Dali). The theatre became experimental as never before (Moscow, Paris, Berlin). A new sensibility found expression in abstract art (Suprematism and Constructionism in Russia, Mondrian and the De Stigl movement in Holland), while the Expressionists carried out an unsparing critique of contemporary society (Beckmann, Grosz, Otto Dix and Schad in Germany Rouault and Soutine in France). The anti-art revolt of Dada (in New York), Zurich, Berlin, Cologne and Paris) and the brilliant adepts of Surrealism (Max Earnest, Miro, Masson, Dali, Tanguy, Margritte) created a fascinating welter of forms rooted in the subconcious and denounced the incoherence and absurdity of a world again drifting towards war. The great builders and designers, on the other hand, beieved in the future and expressed their confidence in a long series of epoch-making works (the Bauhaus, Gropius, Le Corsbusier, Mies van der Rohe, Frank Lloyd Wright). *75 reproductions in full color *270 black and white illustrations Book has minor shelf wear.