From the face of it, Aulis Sallinen's interest in composing chamber music drops off precipitously in the mid-'80s as his symphonies and operas began to take hold in the international market. This would be a pity if it were entirely true, as it was through the chamber music medium that Sallinen made his initial reputation through such masterpieces as the String Quartets No. 3 ("Some Aspects of Peltoniemi Hintrik's Funeral March"), No. 4 ("Quiet Songs"), and the cello solo Elegy for Sebastian Knight. CPO's Aulis Sallinen: ...
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From the face of it, Aulis Sallinen's interest in composing chamber music drops off precipitously in the mid-'80s as his symphonies and operas began to take hold in the international market. This would be a pity if it were entirely true, as it was through the chamber music medium that Sallinen made his initial reputation through such masterpieces as the String Quartets No. 3 ("Some Aspects of Peltoniemi Hintrik's Funeral March"), No. 4 ("Quiet Songs"), and the cello solo Elegy for Sebastian Knight. CPO's Aulis Sallinen: Chamber Musics III, IV, V, performed by members of the Virtuosi di Kuhmo under the general direction of pianist Ralf Gothóni, makes clear that Sallinen's later chamber music is not so much absent as it is in hiding, disguised as concertante works for soloist and string orchestra. The tango is as endemic to Finland as it is to Argentina; when Frank Zappa played Helsinki in 1974, he added Satumaa, the national Finnish tango, to his band book in order to surprise the audience. Tango...
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