Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists' commissions, however, were as captains for their patron: the U.S. Army. The eight men--William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent--arrived in France early in 1918 with the American ...
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Since ancient times, wars have inspired artists and their patrons to commemorate victories. When the United States finally entered World War I, American artists and illustrators were commissioned to paint and draw it. These artists' commissions, however, were as captains for their patron: the U.S. Army. The eight men--William J. Aylward, Walter J. Duncan, Harvey T. Dunn, George M. Harding, Wallace Morgan, Ernest C. Peixotto, J. Andre Smith, and Harry E. Townsent--arrived in France early in 1918 with the American Expeditionary forces (AEF). Alfred Emile Cornebise presents here the first comprehensive account of the U.S. Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not. Unsure of what to do with these official artists, AEF leadership in France issues passes that allowed them relative freedom to move about, sketching as they went and finding supplies and lodgings where they could. But the bureaucratic confusion over the artists' mission soon created controversy in Washington. The army brass there was dismayed at the slow trickle of art coming in and at some of the bucolic, behind-the-lines scenes, which held little promise as dramatic magazine illustrations or propaganda. The Armistice came only a matter of months after the American Artists arrived in France, and they marched into the Rhineland with the American occupation forces, sketching along the way. Soon returning to France the artists went into separate studios to finish their works, but the army hurriedly discharged them and they were civilian artists once more. The author conducted research for this book in the World War I army records in the National Archives, as well as the collections of the Smithsonian Institution, and others throughout the country. The sixty-six black-and-white pictures reproduced here are some of the approximately five hundred pieces of official AEF combat art, which shortly after the war were turned over to the Smithsonian Institution, where most of them remain.
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Add this copy of Art From the Trenches: America's Uniformed Artists in to cart. $11.26, very good condition, Sold by Books From California rated 4.0 out of 5 stars, ships from Simi Valley, CA, UNITED STATES, published 1991 by Texas A&M University Press.
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Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Add this copy of Art From the Trenches: America's Uniformed Artists in to cart. $40.64, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 1991 by Texas A&M University Press.
Add this copy of Art from the Trenches: America's Uniformed Artists in to cart. $40.68, new condition, Sold by I Love Books Bookstore rated 5.0 out of 5 stars, ships from Kingsport, TN, UNITED STATES, published 1991 by Texas A&M University Press.
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New in fine dust jacket. dustjacket is faded at spine from sunning. Sewn binding. Cloth over boards. 176 p. Contains: Illustrations. Texas A & M University Military History (Hardcover). Audience: General/trade.
Add this copy of Art From the Trenches: America's Uniformed Artists in to cart. $47.00, like new condition, Sold by Old Scrolls Book Shop rated 3.0 out of 5 stars, ships from Stanley, NY, UNITED STATES, published 1991 by Texas A&M University Press.
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Fine in Fine jacket. Book College Station, Texas: Texas A&M University Press, 1991. Stated First Edition. Fine/Fine. Stated First Edition in clean unworn dust jacket. Clean golden brown cloth boards with dark brown lettering on spine. No bumping, fading or wear. Binding is tight and square, pages and edges are clean and bright. Clean light brown endpapers-no names, writing or marks. Amazing images by artists of scenes from World War I which utilized everything from horses to airplanes, barbed wire and trenches, cannons and grenades and gas. Clean dust jacket is unchipped, no wear, no tears. Enclosed in new archival quality removable mylar cover. Presented here is the first comprehensive account of the U.S. Army art program in World War I. The AEF artists saw their role as one of preserving images of the entire aspect of American involvement in a way that photography could not. Unsure of what to do with these official artists, AEF leadership in France issued passes that allowed them relative freedom to move about, sketching as they went and finding supplies and lodgings where they could. Here are some of the amazing results of their work.
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Near Fine in near fine jacket. America's Uniformed Artists in World War I. 4to. xii, 158 pp. Bound in full gold cloth, in illustrated dust jacket. Black and white frontispiece and illustrations throughout. Near Fine, two small dings to bottom edge of binding, otherwise bright crisp copy, in Near Fine dust jacket with minor shelf wear.
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Add this copy of Art from the Trenches: America's Uniformed Artists in to cart. $114.93, new condition, Sold by I Love Books Bookstore rated 5.0 out of 5 stars, ships from Kingsport, TN, UNITED STATES, published 1991 by Texas A&M University Press.
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New in new dust jacket. Sewn binding. Cloth over boards. Contains: Illustrations. Texas A & M University Military History (Hardcover). Audience: General/trade.