Armand-Louis Couperin is one of the lesser-known members of the family famous for its keyboard performance and composition. Just as with his cousin François, Armand-Louis was an organist, but his most well-known compositions are for harpsichord. Armand-Louis' work is generally not considered as sophisticated as François', but it is attractive, which is an indicator of its belonging to that period in music history on the cusp of the Baroque and Classical eras. This disc by Sophie Yates contains almost all of his 1751 ...
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Armand-Louis Couperin is one of the lesser-known members of the family famous for its keyboard performance and composition. Just as with his cousin François, Armand-Louis was an organist, but his most well-known compositions are for harpsichord. Armand-Louis' work is generally not considered as sophisticated as François', but it is attractive, which is an indicator of its belonging to that period in music history on the cusp of the Baroque and Classical eras. This disc by Sophie Yates contains almost all of his 1751 collection Pièces de clavecin. Selections such as La Victoire and La de Boisgelou are primarily made up of phrases and sections that show off the performer's skill, while the Gavottes show off the sound of the instrument. La Victoire alternates melodic sections with those using parallel lines of music. La de Boisgelou has more of an improvised sound, with the right hand given lots of ornamentation over a left hand that is either counter-melody, simple accompaniment, or drone. The Allemande...
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