The recordings made prior to this by conductor Robin Ticciati with the Deutsches Symphonie-Orchester Berlin involved French music, but here he plunges into core Austro-Germanic repertory with Bruckner's Symphony No. 6 in A minor. It's a gutsy choice, for the Sixth is in the bottom tier for performance among Bruckner's nine numbered symphonies. It has some rather un-Brucknerian features: the Scherzo clocks in at a mere seven and a half minutes, and even the outer movements are short by Brucknerian standards. The work, ...
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The recordings made prior to this by conductor Robin Ticciati with the Deutsches Symphonie-Orchester Berlin involved French music, but here he plunges into core Austro-Germanic repertory with Bruckner's Symphony No. 6 in A minor. It's a gutsy choice, for the Sixth is in the bottom tier for performance among Bruckner's nine numbered symphonies. It has some rather un-Brucknerian features: the Scherzo clocks in at a mere seven and a half minutes, and even the outer movements are short by Brucknerian standards. The work, unusually, quotes Bruckner's Symphony No. 5 in B flat major, and the finale has an uncomplicatedly triumphant tone in spots. Ticciati makes a fine argument for the work. You might feel that his opening movement, more than two minutes shorter than that of Bernard Haitink and the Sinfonie-Orchester des bayerischen Rundfunks, does not correspond to Bruckner's Majestoso tempo marking, but such things are subjective, and Ticciati achieves a clear reading with plenty of forward motion. The brief...
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