Track Listing
- Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre)
- Les Bergeries, for harpsichord (Pièces de clavecin, II, 6e ordre)
- Minuet for keyboard No. 1 in G major, BWV Anh. 114 (AMN II/4; by Christian Pezold, not JSB)
- Le Coucou, rondeau for harpsichord in E minor (Pièces de clavecin, Suite No. 3)
- Keyboard Sonata in G major, K. 201 (L. 129)
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- Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre)
- Les Bergeries, for harpsichord (Pièces de clavecin, II, 6e ordre)
- Minuet for keyboard No. 1 in G major, BWV Anh. 114 (AMN II/4; by Christian Pezold, not JSB)
- Le Coucou, rondeau for harpsichord in E minor (Pièces de clavecin, Suite No. 3)
- Keyboard Sonata in G major, K. 201 (L. 129)
- Keyboard Sonata in E major, K. 531 (L. 430)
- Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430: Le Forgeron harmonieux
- Prelude and Fugue, for keyboard No. 1 in C major, BWV 846 (BC L80) (WTC I/1): Prélude
- Goldberg Variations, for keyboard, BWV 988 (BC L9) (Clavier-Übung IV): Aria
- Gavotte and Doubles (6), for harpsichord in A minor (Nouvelles suites)
- Tambourin, for harpsichord in E minor (Pièces de clavecin avec une méthode)
- Toccata for keyboard in D major, BWV 912 (BC L143)
- Der Tag, der ist so freudenreich (I), chorale prelude for organ, BWV 605 (BC K34) (Orgel-Büchlein No. 7)
- Toccata and Fugue, for organ in D minor, BWV 565 (BC J37): Toccata
- Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79): Passacaglia
- Serse (Xerxes), opera, HWV 40: Ombra mai fu
- Andromeda Liberata, serenata (opera; attributed): Sovvente il sole
- La fida ninfa, opera, RV 714: Alma oppressa
- Cantata No. 82, "Ich habe genug," BWV 82 (BC A169): Aria Schlummert ein, ihr matten Augen
- Gib dich zufrieden und sei stille (II), sacred song for voice & continuo, BWV 512 (BC 214b)
- Schaffs mit mir, chorale setting for 4 voices, BWV 514 (BC F216)
- So oft ich meine Tobackspfeife (II), aria for voice & continuo, BWV 515b (AMN II/20b)
- Bist du bei mir, aria arranged for voice & continuo, BWV 508 (after Gottfried Stölzel)
- Willst du dein Herz mir schenken, aria for voice & continuo ("Aria di Giovannini"), BWV 518 (AMN II/37)
- Thétis, cantata for bass, violin & continuo
- Maria, dolce Maria, madrigal
- Cantata No. 1, "Wie schön leuchtet der Morgenstern," BWV 1 (BC A173): Aria Erfüllet, ihr himmlischen
- Mi palpita il cor, cantata, HWV 132
- Armida al camp d'Egitto, opera, RV 699: Allegro
- Armida al camp d'Egitto, opera, RV 699: Andante
- Armida al camp d'Egitto, opera, RV 699: Allegro
- Sonata for violin & keyboard No. 5 in F minor, BWV 1018
- Deuxième concert, for harpsichord, violin (or flute) & viola da gamba (or second violin) (Pièces de clavecin en concerts)
- Cinquième concert, for harpsichord, violin (or flute) & viola da gamba (or second violin) (Pièces de clavecin en concerts)
- Tiento de medio registro de dos tiples de segundo tono, for organ (Facultad Organica, No. 53)
- Capriccio, for keyboard in A minor, FbWV 502
- Vater Unser Im Himmelreich, chorale partite for organ (formerly attrib. to J.S. Bach, BWV 761)
- Praeludium in E 'lesser', for organ
- Nun freut euch, lieben Christen gmein (I), chorale prelude for organ, BWV 734 (BC K125)
- Es ist das Heil uns kommen her (I), chorale prelude for organ, BWV 638 (BC K67) (Orgel-Büchlein No. 40)
- Ground for harpsichord in C minor, ZD 221 (doubtful)
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