Anna Richards Brewster, American Impressionist is the first in-depth study of an artist whose name is not well-known today but who was one of the most successful women artists of her time. This beautifully illustrated book, catalog to the exhibition of the same name, provides a fascinating look at the turn-of-the-twentieth-century art world as experienced by a woman artist. Anna Richards Brewster (1870-1952) began painting at age ten, studied with William Merritt Chase and John LaFarge, and trained at Academie Julian in ...
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Anna Richards Brewster, American Impressionist is the first in-depth study of an artist whose name is not well-known today but who was one of the most successful women artists of her time. This beautifully illustrated book, catalog to the exhibition of the same name, provides a fascinating look at the turn-of-the-twentieth-century art world as experienced by a woman artist. Anna Richards Brewster (1870-1952) began painting at age ten, studied with William Merritt Chase and John LaFarge, and trained at Academie Julian in Paris. She was a prolific painter of landscapes, portraits, and illustrations who showed her work regularly until the 1930s. In this volume, curator Judith Kafka Maxwell revives Brewster's work while exploring the contradictions common to women like her--those whose professional ambitions were neither supported nor encouraged by institutions or patrons. An introduction by Wanda M. Corn situates the artist in her social and cultural milieu, and essays by art historian Leigh Culver and American historian Kirsten Swinth explore the works themselves, the artist's education, and the post-Civil War rise of women artists. The result is a rich history of an artist and her time that makes vivid the obstacles faced by female artists in the early twentieth century.
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Add this copy of Anna Richards Brewster, American Impressionist to cart. $31.18, good condition, Sold by ThriftBooks-Atlanta rated 5.0 out of 5 stars, ships from Austell, GA, UNITED STATES, published 2008 by University of California Press.
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Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can included some highlighting and writing page and cover creases as well as other types visible wear.
Add this copy of Anna Richards Brewster, American Impressionist.; to cart. $42.00, very good condition, Sold by J. Hood, Booksellers, Inc. rated 5.0 out of 5 stars, ships from Baldwin City, KS, UNITED STATES, published 2008 by University of California Press.
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Used-Like New. 'Anna Richards Brewster, American Impressionist 'is the first in-depth study of an artist whose name is not well-known today but who was one of the most successful women artists of her time. This beautifully illustrated book, catalog to the exhibition of the same name, provides a fascinating look at the turn-of-the-twentieth-century art world as experienced by a woman artist. Anna Richards Brewster (1870-1952) began painting at age ten, studied with William Merritt Chase and John LaFarge, and trained at Academie Julian in Paris. She was a prolific painter of landscapes, portraits, and illustrations who showed her work regularly until the 1930s. In this volume, curator Judith Kafka Maxwell revives Brewster's work while exploring the contradictions common to women like her--those whose professional ambitions were neither supported nor encouraged by institutions or patrons. An introduction by Wanda M. Corn situates the artist in her social and cultural milieu, and essays by art historian Leigh Culver and American historian Kirsten Swinth explore the works themselves, the artist's education, and the post-Civil War rise of women artists. The result is a rich history of an artist and her time that makes vivid the obstacles faced by female artists in the early twentieth century. Light shelf wear. Overall excellent shape. Neat, clean, and crisp. Tightly bound.
Add this copy of Anna Richards Brewster, American Impressionist to cart. $108.46, new condition, Sold by GridFreed rated 5.0 out of 5 stars, ships from North Las Vegas, NV, UNITED STATES, published 2008 by University of California Press.
Add this copy of Anna Richards Brewster, American Impressionist to cart. $2,477.00, new condition, Sold by BWS Bks rated 5.0 out of 5 stars, ships from Ferndale, NY, UNITED STATES, published 2008 by University of California Press.
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New. 0520257499. *** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--216 pp. With 111 ills. (88 col. ). 29 x 23 cm. --with a bonus offer--
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Fine in fine dust jacket. Sewn binding. Cloth over boards. With dust jacket. 202 p. Contains: Illustrations, color, Frontispiece. Audience: General/trade. No previous owner's name. Clean, tight pages. No remainder mark.
Add this copy of Anna Richards Brewster, American Impressionist to cart. $67.72, good condition, Sold by Bonita rated 4.0 out of 5 stars, ships from Newport Coast, CA, UNITED STATES, published 2008 by University of California Press.
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Berkeley. 2008. University Of California Press. 1st American Edition. Very Good in Dustjacket. 9780520257498. With an introduction by Wanda Corn. 91 color illustrations, 23 b/w photographs. 216 pages. hardcover. keywords: Art America Women Impressionism. FROM THE PUBLISHER-ANNA RICHARDS BREWSTER, AMERICAN IMPRESSIONIST is the first in-depth study of an artist whose name is not well-known today but who was one of the most successful women artists of her time. This beautifully illustrated book, catalog to the exhibition of the same name, provides a fascinating look at the turn-of-the-twentieth-century art world as experienced by a woman artist. Anna Richards Brewster (1870-1952) began painting at age ten, studied with William Merritt Chase and John LaFarge, and trained at AcadEmie Julian in Paris. She was a prolific painter of landscapes, portraits, and illustrations who showed her work regularly until the 1930s. In this volume, curator Judith Kafka Maxwell revives Brewster's work while exploring the contradictions common to women like her-those whose professional ambitions were neither supported nor encouraged by institutions or patrons. An introduction by Wanda M. Corn situates the artist in her social and cultural milieu, and essays by art historian Leigh Culver and American historian Kirsten Swinth explore the works themselves, the artist's education, and the post-Civil War rise of women artists. The result is a rich history of an artist and her time that makes vivid the obstacles faced by female artists in the early twentieth century. inventory #35886.