This recording, released in 2015, may be the final release to feature Julian Lloyd Webber as a cellist; neck injuries have forced him to make a transition to conducting, so the album, on which he appears in both capacities, is something of a milestone. It's a remarkably personal document, featuring a previously unrecorded work, The Moon, by Julian (and Andrew) Lloyd Webber's father and the title work by Howard Goodall, dedicated to a cellist who died at the age of 17. The best news, however, is that Lloyd Webber emerges as ...
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This recording, released in 2015, may be the final release to feature Julian Lloyd Webber as a cellist; neck injuries have forced him to make a transition to conducting, so the album, on which he appears in both capacities, is something of a milestone. It's a remarkably personal document, featuring a previously unrecorded work, The Moon, by Julian (and Andrew) Lloyd Webber's father and the title work by Howard Goodall, dedicated to a cellist who died at the age of 17. The best news, however, is that Lloyd Webber emerges as a solid talent with the baton, getting a big, distinctive sound out of the venerable English Chamber Orchestra in this set of exquisitely sentimental British string music. There are several more unusual pieces and world premieres here, including Elgar's Sospiri, Op. 70, performed with its original harmonium, and two Elgar "chansons" transcribed from violin-and-piano works. But he also does well with more familiar repertory, lending grace to Elgar's Tchaikovskian Serenade for strings,...
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