Kay Boyle's analysis of the language and cultural expression of occupation, Lillian Hellman's exposure of diplomatic language as furthering war, Katherine Anne Porter's implicit critique of Weimar Germany's class consciousness, and Jean Stafford's searching meditations on guilt and responsibility all argue afresh for the pragmatic goals that fiction and drama can serve in a politically unstable world.
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Kay Boyle's analysis of the language and cultural expression of occupation, Lillian Hellman's exposure of diplomatic language as furthering war, Katherine Anne Porter's implicit critique of Weimar Germany's class consciousness, and Jean Stafford's searching meditations on guilt and responsibility all argue afresh for the pragmatic goals that fiction and drama can serve in a politically unstable world.
Read Less
