The Cincinnati Pops Orchestra under John Morris Russell has come up with a genuinely original set of American Originals here, and if some parts of it work better than others, that should not diminish the scope of the accomplishment represented by the whole. The main innovation in this January 2015 live recording at Cincinnati's cavernous Music Hall (which yields just adequate sound here) is the presence of folk, bluegrass, and country musicians rather than the usual pop mega-stars who tend to deliver rather generic ...
Read More
The Cincinnati Pops Orchestra under John Morris Russell has come up with a genuinely original set of American Originals here, and if some parts of it work better than others, that should not diminish the scope of the accomplishment represented by the whole. The main innovation in this January 2015 live recording at Cincinnati's cavernous Music Hall (which yields just adequate sound here) is the presence of folk, bluegrass, and country musicians rather than the usual pop mega-stars who tend to deliver rather generic performances. The musicians here presumably share the orchestra's commitment to investigating the musical past, and the results, though a mixed bag, are unique. Songs of Stephen Foster predominate in the program, and perhaps the centerpiece are the two famous ones sung by Rosanne Cash, whose vocal resonances come very close to equaling those of her famous father. But the variety is equally appealing. The gravelly-voiced Joe Henry, a cousin of Madonna, seems to be one of the precious few performers who realizes that Oh, Susanna is a serious song, and the underrated Cincinnati folk-rock duo Over the Rhine, whose namesake is the location of the venerable Music Hall, offers an extraordinary Foster rarity, Why No One to Love? (track 6). The arrangers acquit themselves well in a few fantasy-like treatments. The treatments of banjo-flavored tunes by Dom Flemons, an African-American specialist in old-time music, are especially arresting, for Foster worked within, although he also subverted, the minstrel tradition that began the long process of the appropriation of black American music by whites. The rather generic vocals of folksinger Aoife O'Donovan and the rhythmically constrained massed bluegrass musicians on several tunes are less effective. But this is a very fresh entry in the rather moribund patriotic pops genre. ~ James Manheim, Rovi
Read Less
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Boyer; Foster; Poulton; Root; Traditional [1] Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
Choose your shipping method in Checkout. Costs may vary based on destination.
Seller's Description:
Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
