Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used: affixed on walls; glued into albums, books, and boxes; annotated; hand-colored; or cut apart. This handsome volume introduces readers to the experimental world of printmaking in the mid-15th and 16th centuries and the array of objects it inspired, from illustrated books, ...
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Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used: affixed on walls; glued into albums, books, and boxes; annotated; hand-colored; or cut apart. This handsome volume introduces readers to the experimental world of printmaking in the mid-15th and 16th centuries and the array of objects it inspired, from illustrated books, sewing patterns, and wearable ornaments to printed sundials and anatomical charts. It features many never-before-published treasures from the Art Institute of Chicago's rich permanent collection, along with essays on the ways prints functioned--in some cases as three-dimensional and interactive works--and how their condition communicates their use. Distributed for the Art Institute of Chicago Exhibition Schedule: The Art Institute of Chicago (04/30/11-07/10/11)
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Add this copy of Altered and Adorned: Using Renaissance Prints in Daily to cart. $62.00, new condition, Sold by Dan Pope Books rated 3.0 out of 5 stars, ships from WEST Hartford, CT, UNITED STATES, published 2011 by Art Institute of Chicago / Yale University Press.
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Seller's Description:
New. Dust Jacket Included. First edition. Hardbound. NEW. Very Fine in a very fine dust jacket. A tight, clean copy, still in original shrinwrap. NOT price-clipped. Shipped in well padded box.