Chrissie Hynde sneers "I like being alone" on the title track and opening song on Alone, the first Pretenders album since 2006's Break Up the Concrete. That much is true. She may have revived the Pretenders name for Alone, the follow-up to her belated 2014 solo debut, Stockholm, but, just like in 2006, Martin Chambers isn't in the studio. Instead, Hynde is collaborating with Black Key Dan Auerbach, who brings in half of his side project the Arcs to help him play the instruments on Alone. Unsurprisingly, this studio ...
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Chrissie Hynde sneers "I like being alone" on the title track and opening song on Alone, the first Pretenders album since 2006's Break Up the Concrete. That much is true. She may have revived the Pretenders name for Alone, the follow-up to her belated 2014 solo debut, Stockholm, but, just like in 2006, Martin Chambers isn't in the studio. Instead, Hynde is collaborating with Black Key Dan Auerbach, who brings in half of his side project the Arcs to help him play the instruments on Alone. Unsurprisingly, this studio incarnation of the Pretenders shares some '60s AM aesthetics with the Arcs, sometimes cooking along with the cool grace of Memphis soul and sometimes feeling as thick as rockers cranked out in a greasy garage. The latter is familiar territory for Hynde but the former is a new wrinkle for her, so one of the pleasures of Alone is hearing her laying back in a slow, soulful groove. "Roadie Man" simmers like classic Booker T. & the MG's, "Never Be Together" feels like a dispatch from an alternate Stax, while "One More Day" trades in a bit of bossa nova, a bit of rhythmic flair that illustrates how often Hynde and Auerbach play with forgotten '60s pop sounds. This gives Alone a supple, attractive feel, but Auerbach also encourages Hynde to lean into her tough side so that Alone swaggers like a classic Pretenders album. Attitude counts for a lot with Chrissie Hynde, but the true appeal of Alone is how it marries solid songwriting with a sympathetic, surprising production, all of which amounts to a very satisfying Pretenders album. ~ Stephen Thomas Erlewine, Rovi
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Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
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Good. This item has very light surface scratches that do not affect the use of the disc/s. This is a USED item. Case and cover may or may not have wear or damage. All items unless otherwise noted will include disc, case, and artwork. Codes have been used. Other contents such as booklets may vary, please inquire for details. All items ship Monday-Friday within 2-3 business days.
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Poor. Used-Acceptable, DISC ONLY, Withdrawn library disc(s). Includes a case. Artwork and liner notes not included. Disc(s) should play great, without any playback issues. Disc may include library markings, like writing, sticker, and protective label covers.
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Very good. Providing great media since 1972. All used discs are inspected and guaranteed. Cases may show some wear. We ship orders daily and Customer Service is our top priority!
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Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
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