Drawing on the remembrances of elders who were born in the early 1900s and saw the last masked Yup'ik dances before missionary efforts forced their decline, Agayuliyararput is a collection of first-person accounts of the rich culture surrounding Yup'ik masks. Stories by thirty-three elders from all over southwestern Alaska, presented in parallel Yup'ik and English texts, include a wealth of information about the creation and function of masks and the environment in which they flourished. The full-length, unannotated ...
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Drawing on the remembrances of elders who were born in the early 1900s and saw the last masked Yup'ik dances before missionary efforts forced their decline, Agayuliyararput is a collection of first-person accounts of the rich culture surrounding Yup'ik masks. Stories by thirty-three elders from all over southwestern Alaska, presented in parallel Yup'ik and English texts, include a wealth of information about the creation and function of masks and the environment in which they flourished. The full-length, unannotated stories are complete with features of oral storytelling such as repetition and digression; the language of the English translation follows the Yup'ik idiom as closely as possible. Reminiscences about the cultural setting of masked dancing are grouped into chapters on the traditional Yup'ik ceremonial cycle, the use of masks, life in the qasgiq (communal men's house), the supression and revival of masked dancing, maskmaking, and dance and song. Stories are grouped geographically, representing the Yukon, Kuskokwim, and coastal areas. The subjects of the stories and the masks made to accompany them are the Arctic animals, beings, and natural forces on which humans depended. This book will be treasured by the Yup'ik residents of southwestern Alaska and an international audience of linguists, folklorists, anthropologists, and art historians.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Publisher:
Anchorage Museum of History and Art in association with the University of W
Published:
1996
Language:
English
Alibris ID:
17956231638
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Seller's Description:
Very good. Ex-library. xxi, 236 p. : ill.; 23 cm. LCCN 95025849 Type of material Book Main title Agayuliyararput: kegginaqut, kangiit-llu = Our way of making prayer: Yup'ik masks and the stories they tell / transcribed and translated by Marie Meade; edited by Ann Fienup-Riordan. Published/Created Seattle: Anchorage Museum of History and Art in association with the University of Washington Press, c1996. Description xxi, 236 p. : ill.; 23 cm. ISBN 0295975091 (alk. paper) LC classification E99. E7 A38 1996 Parallel title Our way of making prayer Related names Meade, Marie. Fienup-Riordan, Ann. Anchorage Museum of History and Art. LC Subjects Yupik masks. Yupik dance. Yupik Eskimos--Rites and ceremonies. Notes Includes bibliographical references (p. 235-236). Dewey class no. 391/.434/089971 Language code engesk Geographic area code n-us-ak
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Seller's Description:
Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
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Seller's Description:
236 pages. A near fine copy in wrappers (paperback). Drawing on the remembrances of elders who were born in the early 1900s and saw the last masked Yup'ik dances before missionary efforts forced their decline, Agayuliyararput is a collection of first-person accounts of the rich culture surrounding Yup'ik masks. Stories by thirty-three elders from all over southwestern Alaska, presented in parallel Yup'ik and English texts, include a wealth of information about the creation and function of masks and the environment in which they flourished. The full-length, unannotated stories are complete with features of oral storytelling such as repetition and digression; the language of the English translation follows the Yup'ik idiom as closely as possible. Reminiscences about the cultural setting of masked dancing are grouped into chapters on the traditional Yup'ik ceremonial cycle, the use of masks, life in the qasgiq (communal men's house), the supression and revival of masked dancing, maskmaking, and dance and song. Stories are grouped geographically, representing the Yukon, Kuskokwim, and coastal areas. The subjects of the stories and the masks made to accompany them are the Arctic animals, beings, and natural forces on which humans depended. This book will be treasured by the Yup'ik residents of southwestern Alaska and an international audience of linguists, folklorists, anthropologists, and art historians.
