Gilroy examines ways in which media and commodity culture have become preeminent in our lives in the years since the 1960s and contends that much of what was wonderful about black culture has been sacrificed in the service of corporate interests. He argues that the triumph of the image spells death to politics and reduces people to mere symbols.
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Gilroy examines ways in which media and commodity culture have become preeminent in our lives in the years since the 1960s and contends that much of what was wonderful about black culture has been sacrificed in the service of corporate interests. He argues that the triumph of the image spells death to politics and reduces people to mere symbols.
Read Less