Several photographers who arose in the shadow of the famed Alfred Stieglitz's celebrity, and who quietly made the craft an art form, have remained almost unknown. In this important volume, they receive their due. Published in conjunction with a traveling exhibit of their works, the book recognizes the likes of Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others. 93 full-color photos.
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Several photographers who arose in the shadow of the famed Alfred Stieglitz's celebrity, and who quietly made the craft an art form, have remained almost unknown. In this important volume, they receive their due. Published in conjunction with a traveling exhibit of their works, the book recognizes the likes of Imo Jean Cunningham, Edward Weston, Clarence H. White, and a host of others. 93 full-color photos.
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Seller's Description:
Fair. An acceptable and readable copy. All pages are intact, and the spine and cover are also intact. This item may have light highlighting, writing or underlining through out the book, curled corners, missing dust jacket and or stickers.
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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good book in Acceptable jacket. Used with wear but is still in solid reading condition. NO markings to text. Pasadena's finest new and used bookstore since 1992.
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Seller's Description:
New in New jacket. 4to. Hard cover in dust jacket and publisher's shrink wrap. Published NY: Norton & Company, 1997. 4to., 10 1/4" x 11 1/4", 224pp., illustrated with 93 full-color photographs. New in shrink wrap. "In this important volume, Christian A. Peterson finally gives the pictorialists of the first half of the twentieth century their due. He describes the backgrounds of the movement, their methods, the photo clubs they belonged to, and their work, illustrated here with ninety-three stunning reproductions. The movement seemed to die out, Peterson suggests, with the rising popularity of 35mm photography in mid-century, when the care and slow working procedures required by large-format cameras became unpopular. 93 full-color photographs."
