This book stretches and challenges current canonical configurations of modernism by considering the centrality of black artists, writers and intellectuals as core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century.
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This book stretches and challenges current canonical configurations of modernism by considering the centrality of black artists, writers and intellectuals as core presences in the development of a modernist avant-garde; and by interrogating 'blackness' as an aesthetic and political category at critical moments during the twentieth century.
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