Anne-Sophie Mutter may be the only contemporary violinist who can be billed with just her initials, or who could issue a 40-CD box-set compilation of her recordings in the reasonable expectation that it would sell. This two-disc set is a sampler from the larger box. A point in its favor is that it includes one of the rarities from the complete item: a recording of the 11-year-old Mutter playing one movement of the Prokofiev Sonata for solo violin in D minor, Op. 115. Two years later, she would come to the attention of ...
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Anne-Sophie Mutter may be the only contemporary violinist who can be billed with just her initials, or who could issue a 40-CD box-set compilation of her recordings in the reasonable expectation that it would sell. This two-disc set is a sampler from the larger box. A point in its favor is that it includes one of the rarities from the complete item: a recording of the 11-year-old Mutter playing one movement of the Prokofiev Sonata for solo violin in D minor, Op. 115. Two years later, she would come to the attention of Herbert von Karajan, who, whatever his flaws, realized that her rich, Olympian tone provided the perfect complement to his orchestral visions. The first disc contains several examples of her work with Karajan, alternating concerto movements with recital pieces, both orchestral and piano accompanied. What strikes the listener is how consistent the basic Mutter tone and approach remained as she began to work with other conductors and then to broaden her repertory beyond the Romantic...
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