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Seller's Description:
Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
Good. The pages are sun faded and slightly yellowing The cover has visible markings and wear. This is a paperback copy Some foxing on the edges The books is bent and the pages are wavy and curved Fast Shipping-Each order powers our free bookstore in Chicago and sending books to Africa!
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Seller's Description:
May have heavy foxing to page edges. Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD PAPERBACK Standard-sized.
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Seller's Description:
Fine in fine dust jacket. Text in English, French. xvi, 275 p.; 24 cm. 1973 edition with DJ. Book is LIKE NEW. Prev owners name inside front cover. DJ shows light wear
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 750grams, ISBN: 0710074220.
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Seller's Description:
Good. Ex library hardback with DJ; usual stamps/markings. Published in 1973 by Routledge & Kegan Paul. Light wear to DJ otherwise a good, clean copy. Ready for immediate despatch from UK. BS-3C*
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Seller's Description:
This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. Clean from markings In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 700grams, ISBN: 0710074220.
This book of essays on history and how to do it is one of the most important of its kind. In my view a couple of the essays are unmatched and their consequences for the discipline have yet to reverberate through the academy. Febvre almost uniquely brings into the account human feelings and, I think (without necessarily mentioning the term) aesthetics. His results are a very subtle history that feels more complete and deep. Only perhaps Marx outdoes this in his historical writing, but Febvre can, perhaps, if 'reverse engineered' be used to elucidate Marx's method in such works as the 'Eighteenth Brumaire'. Important reading which has perhaps its greatest import for understanding art..
