A True Relation, Concerning the Estate of New-England, as It Was Presented to His Matie: From Three Copies of a Manuscript Written about 1634, Found in the British Museum, and Transcribed (Classic Reprint)
A True Relation, Concerning the Estate of New-England, as It Was Presented to His Matie: From Three Copies of a Manuscript Written about 1634, Found in the British Museum, and Transcribed (Classic Reprint)
Excerpt from A True Relation, Concerning the Estate of New-England, as It Was Presented to His Matie: From Three Copies of a Manuscript Written About 1634, Found in the British Museum, and Transcribed The original authorities on. The subject of the Indian Plague are Mourt's Relation 33, 42, Gorges, Briefs Narration, lib. I. P. 12; Bradford, Plymouth Plantation, 195; Cushman, in Young, Chronicles of Pilgrims, 225, 258; Higginson, New England's Plantation, Mass. Hist. Coll., i. 123; Morton, New English Canaan, lib. I. C. 3; ...
Read More
Excerpt from A True Relation, Concerning the Estate of New-England, as It Was Presented to His Matie: From Three Copies of a Manuscript Written About 1634, Found in the British Museum, and Transcribed The original authorities on. The subject of the Indian Plague are Mourt's Relation 33, 42, Gorges, Briefs Narration, lib. I. P. 12; Bradford, Plymouth Plantation, 195; Cushman, in Young, Chronicles of Pilgrims, 225, 258; Higginson, New England's Plantation, Mass. Hist. Coll., i. 123; Morton, New English Canaan, lib. I. C. 3; White, Planters' Plea, c. Iv.; Johnson, wonder-working Providence, lib. I. C. 8. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Read Less