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Seller's Description:
Very good in Very good jacket. This publication accompanies the exhibition "A Minimal Future? Art as Object 1958-1968" organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles from March 14 to August 2nd, 2004. Jacket is lightly rubbed and jacket spine is very lightly tanned, but text is legible. Binding is tight and inside is clean and unmarked.
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Seller's Description:
Like New. Size: 4to-over 9¾"-12" tall; Near Fine/Very Good condition, text tight clean unmarked, minor bump bottom tip front board, essays by Diederichsen, Flatley, Lambert, Lippard, Meyer, Rorime, full color reproductions throughout, published in connection with exhibition at Museum of Contemporary Art LA.
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Seller's Description:
Very Good. Minor wear to cover. Corners bumped. Pages crisp and clean. **Due to size or weight of book additional charges for international and priority shipping may apply. **. 8vo-over 7¾"-9¾" tall.
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Seller's Description:
Fine in Fine jacket. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. This monograph was prepared to accompany the exhibition at the Museum of Contemporary Art in Los Angeles from March 14 to August 2, 2004. Essays by Ann Goldstein, Lucy Lippard, James Meyer, Jonathan Flatley, Anne Rorimer, Carrie Lambert and Diedrich Diederichsen. 205 color plates and many black & white illustrations. Bibliography. 11" high X 9" wide, 452 pages. Massive reference on late 1950's and 1960's art. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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Seller's Description:
Fine paperback exhibition catalog (soft cover)/ no dust jacket. Essays by Diedricn Diederichsen, Jonanthan Flatley, Carrie Lambert, Lucy R. Lippard, James Meyer, and Anne Rorimer; 452 pages, illustrated.
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Seller's Description:
VG-(ex-museum w/ taped ID to lower spine; peeling barcode to back wrap edge; interior stamps & notations. wraps scuffed & scratched; rubbed edge-wear. rubbing to corners. light abrasion to lower textblock w/ fine rubs to associated pg edges. fairly... White, orange illustrated wraps. 452 pp w/ primarily color illustrations. "As a new movement that arose in the 1950s and 1960s, Minimalism challenged traditional ideas about art-making and the art object. A Minimal Future? Art As Object 1958-1968, which accompanies a major exhibition at The Museum of Contemporary Art in Los Angeles, offers a redefinition of Minimalism by situating it in the context of the concurrent aesthetics of modernist abstraction, pop art, and nascent ideas of conceptual art. Minimalism is presented as a range of strategies that propelled new definitions of the structure, form, material, image, and production of the art object and renegotiated its relationship to space and to the spectator. Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture. The text features original essays by prominent art historians and scholars. Diedrich Diedrichsen addresses the relationship between minimal art and music; Jonathan Flatley focuses on Donald Judd and Andy Warhol; Timothy Martin considers perfomance in relation to minimal art; James Meyer examines East and West Coast practices of Minimalism; and Anne Rorimer discusses the relationship of minimal to conceptual art. Exhibition curator Ann Goldstein contributes an introduction. Also included are individual entries on each of the artists, an extensive bibliography, and an exhibition chronology. The 400-page book includes 300 images, most in color."--Amazon.