Elevating the associative musicality of images and thoughts to become an organizing principle is certainly not without roots in the Hungarian poetic tradition, yet the way Gabor G Gyukics is using it still sounds foreign and strange in Europe (and in Hungary). It is closer to much contemporary American poetry, mainly because Gyukics' poetry is not based on scored music or on music in the poetic sense.
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Elevating the associative musicality of images and thoughts to become an organizing principle is certainly not without roots in the Hungarian poetic tradition, yet the way Gabor G Gyukics is using it still sounds foreign and strange in Europe (and in Hungary). It is closer to much contemporary American poetry, mainly because Gyukics' poetry is not based on scored music or on music in the poetic sense.
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