Originally published in England in 1935, this book is an attempt to isolate the fundamental principles of film art and to teach in concrete detail how these principles are well or badly applied in the production of films. This essential task, shirked or derided by most film critics today, Spottiswoode executed with skill and perception. He traced the history of the new medium, analyzed the aesthetic factors governing proper use of camera angle and movement, cuts, dissolves, sound, and other elements of film construction. He ...
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Originally published in England in 1935, this book is an attempt to isolate the fundamental principles of film art and to teach in concrete detail how these principles are well or badly applied in the production of films. This essential task, shirked or derided by most film critics today, Spottiswoode executed with skill and perception. He traced the history of the new medium, analyzed the aesthetic factors governing proper use of camera angle and movement, cuts, dissolves, sound, and other elements of film construction. He also examined the proces by which films produce their special effects upon audiences. A Grammar of the Film contains some predictions that history has belied, and as the author remarks in his preface, parts of it abound in distinctions without differences. Yet its analytic perspective remains sound and useful, because the passage of years has brought little significant experimentation and little change in the basic aesthetic problems of the medium. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.
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Very good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
1967, (Cal30), Same press and cover art, cover has some soiling, moderate edge reading wear/tears. Good solid paperback with moderate reading/age wear, may have some light markings, pages may have some mild tanning. We take great pride in accurately describing the condition of our books and media, ship within 48 hours, and offer a 100% money back guarantee. Customers purchasing more than one item from us may be entitled to a shipping discount.
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Seller's Description:
Good. Not ex-lib. Hardcover in grey-brown cloth with red titles to spine, no jacket, small 8vo. 2nd UK edition. 326pp. + foldout chart at end. Index, b/w plates. Good only, though textblock VG and plates Fine. Book has strong toning to spine with titles all clearly legible, more moderate toning to boards, primarily along edges with central cloth clean and sharp; lightly toed-in corners, slightly stronger at lower rear. Light bowing overall with no effect on strong, square binding and hinges. Foxing to page edges, strong toning (probbly due to paste bleed-through) on endpapers). Moderate shelving soil/tonng upper page edges. Prev. owner's name upper corner ffep.
