Subtitled, "Live Performances 1985-1994" (though the earliest track comes from Halloween 1986), 200 More Miles, which concluded the Cowboy Junkies' contract with RCA, was a 17-track compilation of concert recordings. Its five and a half cover songs spanned the group's influences: "Blue Moon Revisited (A Song for Elvis)" drew upon the Rodgers & Hart song (that's the half) as interpreted by the King of Rock 'n' Roll; "Me and the Devil Blues" came from the King of the Delta Blues Singers, Robert Johnson; "I'm So Lonesome I ...
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Subtitled, "Live Performances 1985-1994" (though the earliest track comes from Halloween 1986), 200 More Miles, which concluded the Cowboy Junkies' contract with RCA, was a 17-track compilation of concert recordings. Its five and a half cover songs spanned the group's influences: "Blue Moon Revisited (A Song for Elvis)" drew upon the Rodgers & Hart song (that's the half) as interpreted by the King of Rock 'n' Roll; "Me and the Devil Blues" came from the King of the Delta Blues Singers, Robert Johnson; "I'm So Lonesome I Could Cry" was by the King of Country Music, Hank Williams, "Walking After Midnight" by the Queen, Patsy Cline, and "State Trooper" and "Sweet Jane" came from a couple of Rock's Crown Princes, Bruce Springsteen and Lou Reed. Of course, this was for the most part downbeat material, and the Cowboy Junkies rendered it in their usual transfixing, if soporific style. They did the same on a set of Michael Timmins originals such as "Sun Comes Up, It's Tuesday Morning" and "Murder, Tonight, in the Trailer Park." (John Prine guests on "If You Were the Woman and I Was the Man.") "Before I do some rock & roll I always like to sit down," Margo Timmins noted at the outset, and she wasn't kidding. ~ William Ruhlmann, Rovi
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