1935 and '36 were red-hot years for Fats Waller, and many musicians deliberately chose to record songs which had quickly become closely associated with him. Wingy Manone was capable of covering such tunes without sounding like an imitator. Unlike Waller's slow, almost erotic version, Wingy's "Sweet and Slow" trots along as briskly as "Lulu's Back in Town." Other songs popularized by Waller and revisited here are "I'm Gonna Sit Right Down and Write Myself a Letter" and the cheerful "I've Got My Fingers Crossed." Wingy's ...
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1935 and '36 were red-hot years for Fats Waller, and many musicians deliberately chose to record songs which had quickly become closely associated with him. Wingy Manone was capable of covering such tunes without sounding like an imitator. Unlike Waller's slow, almost erotic version, Wingy's "Sweet and Slow" trots along as briskly as "Lulu's Back in Town." Other songs popularized by Waller and revisited here are "I'm Gonna Sit Right Down and Write Myself a Letter" and the cheerful "I've Got My Fingers Crossed." Wingy's bands during this time period featured reedmen Bud Freeman, Eddie Miller, Matty Matlock and Joe Marsala, and two of the sessions were bolstered by the presence of trombonists Jack Teagarden and George Brunies. Teagarden plays exceptionally fine trombone on the records made in October of 1935. His vocal contributions, however, consist only of spoken interjections. Johnny Mercer is heard making his own remarks during both takes of "I've Got a Note." Teagarden engages in a bit of conversation with Wingy on take one. Take two is markedly faster and hotter. Wingy was capable of singing and playing practically any song that came along. He performs "The Music Goes 'Round and Around" as if it had been written just for him, and takes on Louis Armstrong's "Old Man Mose" without flinching. "The Broken Record" comes as a pleasant surprise, giving the singer and band a chance to imitate a skipping record as the phrases "you're gorgeous," "I kiss you" and "I love you" each get stuck and are repeated six times apiece. (Note that this immortalizes the hasty rate at which 78 rpm records skip. It's much different from a 33-and-1/3 rpm skip.) Finally, as the trombone gets stuck in the same repetitious manner, Wingy says "Man, take that broken record offa there, and throw it out the window!" ~ arwulf arwulf, Rovi
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