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Seller's Description:
Fine. Sewn binding. Cloth over boards. 160 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
HARDCOVER Good-Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name-GOOD Oversized.
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Seller's Description:
Fair. HARDCOVER Acceptable-This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.
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Seller's Description:
Fine. Sewn binding. Cloth over boards. 160 p. In Stock. 100% Money Back Guarantee. Brand New, Perfect Condition, allow 4-14 business days for standard shipping. To Alaska, Hawaii, U.S. protectorate, P.O. box, and APO/FPO addresses allow 4-28 business days for Standard shipping. No expedited shipping. All orders placed with expedited shipping will be cancelled. Over 3, 000, 000 happy customers.
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Seller's Description:
VG (Light shelfwear/scuffing/bumping to boards; interior is in excellent condition and appears unread. ) Light blue and white boards with color illustration and black lettering; 143 pp.; richly illustrated, chiefly in color. "Published for Sam Gilliam's recent exhibition, Existed Existing [Pace Gallery, New York, November 6th through December 19th, 2020], this book features new paintings, washi papers, and sculptural works by the artist. Courtney J. Martin discusses Gilliam's approach to exhibition-making and the evolution of his practice in her essay 'Imagine the Show on the First Day. ' In 'The Circle With a Whole in the Middle, ' poet, cultural theorist, and MacArthur Fellow Fred Moten illuminates Gilliam's work in dialogue with the aesthetic considerations of abstraction and Blackness. An interview by Hans Ulrich Obrist explores themes including family, music, peers, and poetry."--Publisher's website.
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Seller's Description:
New / Sealed (remains in publisher's wrap; may have bumping or rubbing to corners, edges) Grey & white boards w/ blue illustration & black printing. 143 pgs w/ color illustrations. "Published for Sam Gilliam's recent exhibition, Existed Existing, this book features new paintings, washi papers, and sculptural works by the artist. Courtney J. Martin discusses Gilliam's approach to exhibition-making and the evolution of his practice in her essay 'Imagine the Show on the First Day. ' In 'The Circle With a Whole in the Middle, ' poet, cultural theorist, and MacArthur Fellow Fred Moten illuminates Gilliam's work in dialogue with the aesthetic considerations of abstraction and Blackness. An interview by Hans Ulrich Obrist explores themes including family, music, peers, and poetry."--Publisher's website/WorldCat.
