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New. Contains: Halftones, black & white, Halftones, Tables, black & white, Printed music items. Music in Context . 1 b/w illus. 25 tables 26 music examples. Intended for professional and scholarly audience.
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Good in Good jacket. Jacket is lightly worn, especially along edges. Spine is cocked. Paste-down end leaves are worn at the spine. Inside is clean and unmarked.
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Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!
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Seller's Description:
New. Print on demand Contains: Halftones, black & white, Halftones, Tables, black & white, Printed music items. Music in Context . 1 b/w illus. 25 tables 26 music examples. Intended for professional and scholarly audience.
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Like new with instances of marginalia by a knowledgable hand and a moderate amount of very light pencil underlining throughout. Black cloth on board with black and color illustrated dust jacket. xxii, 277 pages: illustrations, music. contents as follows: A ruthless criticism Of everything existing. Modernism as we know it, ideology, and the quilting point--Relationship problems. Modernism, love, and truth; The love of Troilus and Cressida--The revolutionary kernel of reactionary music. Communist modernism; A new community--Afterword: what to do? Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic, and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, Quilting Points proposes a new dialectical theory of faithful, reactive, and obscure subjective responses to musical modernism, which embraces all the music of Western modernity.