Langston Hughes, long recognized as a major American poet and an influential force in African-American literature, brought to this, his first novel, the lyricism, humor, and sureness of touch that characterizes his award-winning poetry. This story reflects the joys and hardships of an African-American boy growing to manhood.
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Langston Hughes, long recognized as a major American poet and an influential force in African-American literature, brought to this, his first novel, the lyricism, humor, and sureness of touch that characterizes his award-winning poetry. This story reflects the joys and hardships of an African-American boy growing to manhood.
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Add this copy of Not Without Laughter to cart. $8.96, good condition, Sold by GreatBookPricesUK5 rated 4.0 out of 5 stars, ships from Castle Donington, DERBYSHIRE, UNITED KINGDOM, published 2008 by Dover Publications.
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This item is in overall good condition. Covers and dust jackets are intact but may have minor wear including slight curls or bends to corners as well as cosmetic blemishes including stickers. Pages are intact but may have minor highlighting/ writing. Binding is intact; however, spine may have slight wear overall. Digital codes may not be included and have not been tested to be redeemable and/or active. Minor shelf wear overall. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you!
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There ain't no room in this world fo' nothing' but love, Sandy chile. That's all they's room fo' -- nothin' but love."
In the above passage, Aunt Hager Williams gives her thoughts on the slavery she experienced in her youth to her young grandson, Sandy (James) Williams in the climactic chapter of Langston Hughes's remarkable coming-of age novel "Not Without Laughter" (1930). The novel offers a picture of African American life in a fictitious Kansas town, modelled on Lawrence, beginning in about 1911 and concluding with the end of WW I in 1918. "Nothing but Love" is a fitting summation of the book as a whole.
Hughes' partially autobiographical novel tells the story of young Sandy Williams between the ages of 9 -- 16, and Sandy and his family are the main characters. The boy's aging grandmother, Hager, is the titular head of the family and inspires the boy with her ambitions for him to make something of his life. She earns money for the family by washing clothes for white people. Hagar's daughter and Sandy's mother, Anjee, works as a domestic for a demanding white family. She is married to Jimboy, an itinerant guitarist and singer who spends little time at home but rather wanders throughout the country looking for work. Hager has two other daughters. Tempy Siles has made a successful marriage, moved into the black middle class, and tends to look down upon the rest of the family. The young daughter, Harriet, has a restless streak. She dislikes white people and religion and spends a great deal of time singing and dancing in disreputable parts of the town. After a time as a prostitute, she succeeds as a blues singer.
The novel tells the story of how Sandy learns from his family and from other largely African American people in the town and, in the final scenes of the book, in Chicago. The book and its plot begin slowly, but I soon was engaged with the lives of the characters. Hughes gives a rare realistic and enthusiastic look at African American life during the early 20th Century in its variety, difficulty, and hope. There is, of course, great emphasis on the pervasive discrimination African Americans suffered in the American midwest, as most of the institutions in Kansas enforced rigid segregation and discrimination and most of the whites had racist attitudes. But there was much hope and strength in the African American community as well. Sandy receives his greatest inspiration from the strong Aunt Hager who speaks in dialect, as do many of the characters, is deeply religious, and wants Sandy to make a contribution to uplift the race. Hager is an admirer of Booker Washington. Sandy is exposed to the world of learning from Tempy, who raises the boy after Anjee leaves the family to live with her wandering hustand and after Hager dies. Tempy is an admirer of DuBois, but she presses Sandy in the direction of rejecting the African American culture which the young boy, and Hughes, are unwilling to do.
Besides the emphasis on educational uplift, there is much in Sandy's world of guitar playing, music, the blues, and poetry, as songs such as "St. Louis Blues", "Easy Rider" "John Henry" and many more get a great deal of attention and quotation. The book is in the language of poetry and dialect. Scenes take place in dance halls, barber shops, carnivals, and pool halls, as well as in schools, churches and the home. The town "bottoms" -- the home of prostitutes and gamblers -- is described as the only location in the community that is free from race discrimination. The book describes the importance, and frequent repression of sexuality, in the budding awareness of Sandy, and in the experiences of the other characters. Hughes offers a complex and varied perspective on African American life. He emphasizes the importance of knowledge and empowerment. He also treasures the distinctive features of African American life in its poetry, dance, and music and emphasis on family. He suggests to me that African American life can develop its own culture without merely adopting that of white America. The overall tone is one of laughter, love, and forgiveness.
Hughes' novel won the Harmon Gold Medal in 1930, a prize awarded between 1925 -- 1930 for high achievement in African American art and literature. The novel is not as well known today as it deserves to be. It is a precious story of African American life and of growing
