Philip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph. The book's mood is best captured in the closing lines of the title poem, which takes its name from the ship that brought the poet's mother to America: A nine-year-old girl travels ...
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Philip Levine's new collection of poems (his first since The Simple Truth was awarded the Pulitzer Prize) is a book of journeys: the necessary ones that each of us takes from innocence to experience, from youth to age, from confusion to clarity, from sanity to madness and back again, from life to death, and occasionally from defeat to triumph. The book's mood is best captured in the closing lines of the title poem, which takes its name from the ship that brought the poet's mother to America: A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.
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Philip Levine was born in Detroit to immigrant Jewish parents. The adjustment his family made to a new land, together with the poverty of the Depression, has made a deep imprint on his writing. He worked at a succession of blue-collar jobs before becoming a professor in Fresno, California. He has received both the National Book award and the Pulitzer Prize for his poetry.
In the poems of "The Mercy", the poet looks back upon incidents in his life or in the lives of those dear to him. The title poem describes his mother's journey to the New World on a ship both aptly and ironically named "The Mercy". The poet looks back at her voyage, including his own research on it, to recapture the shock of the voyage to a then nine year old girl with no English attempting to find her way in a strange land. A related poem earlier in the volume describing an immigrant's reaction to the New World is "Reinventing America." (Perhaps an ironic reference to the reinvention of government theme of the late 1990's)
I think the poems are designed to capture, for the poet and the reader, the details of the small moments of life, remembered and recreated. In "Salt and Oil", one of the fine poems of the collection, Levine describes a process that underlies the theme of memory in the book:
"Three young men in dirty work clothes/ on their way home or to a bar/ in the late morning. This is not/ a photograph, it is a moment/ in the daily life of the world,/ a moment that will pass into the unwritten biography/ of your city or my city/ unless it is frozen in the fine print/ of your eyes."
So Levine etches these moments for us in his poems.
There are poems describing the loss of innocence (as in "Flowering Midnight" which mourns "the lost white world we thought was ours for good.") and poems describing the dissipation, in loneliness even of the lure of sexuality (as in the poem "The Cafe" which describes a bar scene and concludes "the air thickens with smoke, and no one cares/if the two young girls show their thighs or their breasts, some nights/the young men along the bar are too tired even to die.")
Levine is no stranger to the power of music. I found his tribute to Sonny Rollins in "The Unknowable", particularly moving. ("He is merely a man--/after all--a man who stared for years/into the breathy, unknowable voice/of silence and captured the music.")
The poems are in a restrained free verse, in the manner of a chastened and somber Walt Whitman. The poetry also reminds me of the earlier Jewish-American poet, Charles Reznikoff, in its telling vignettes of the lives of ordinary people, its emphasis of a moment, in it use of understatement, and in its reluctance to moralize.
Memory can bring sadness, wisdom, reflection, but it can also result in hope. There is no easy optimism in this collection. This collection is etched sharply with individual recollections of a life. It may help the reader share in the process of looking back with understanding, love, and forbearance.
